Category Archives: Fuji

Fuji Velvia 50 Cross Processed

Hey there!

In 2013 I bought 2 rolls of Fuji Velvia 50. I shot the first roll pretty quickly on a trip to New York City…to my surprise i’ve not uploaded that roll to the blog so at a later date will go back and rescan the negative for you all to see. Fast forward to 2020 and i’m shocked it took me 7 years to shoot the other roll (London Pride 2019)…I remember thinking it’s because Velvia is an E6 process. Which for the colour noobies out there E6 is a film processing technique using a different variation of chemicals and timings. The end results is a positive image instead of a negative image created with C-41.

E6 film is usually very fine grain, pin sharp image quality and vivid colours. However it doesn’t have the exposure latitude of C-41 colour negatives so your shots need to be perfectly exposed each time! For more information on the differences between E6 and C-41 check out this blog post from The Darkroom

As I don’t own E6 chemicals and wasn’t going to invest in any for 1 roll of film I decided to cross process with Tetenal C-41. Cross Processing is where you develop a roll of E6 > C-41 or C-41 with E6. For E6 > C-41 process you will usually get strong contrast and a lot of colour cast. For C-41 > E6 you’d normally see a flatter image with muted colours.

For my process I have a very prominent green colour cast.

Changing settings in Silverfast to compensate for Green Colour Cast.


You can see from the images below the highlights are blown out and the contrast is really high in places but overall i’m happy with the results!

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Fuji Pro 400H

Last summer we took a break to North Devon – a beautiful part of the UK. Rolling hills, friendly people, places to explore and a rugged coast line – perfect. In this roll of film it shows some shots of when we visited Exmoor National Park and Dartmoor, a Bonsai Tree Centre, and Buckfast Monastery.

Bonsai Centre, North Devon.


James standing at Exmoor National Park, North Devon


Buckfast Abbey, North Devon


Found Archive: Fuji Super G 200

The photographs in this collection are from the first day we bought a puppy in 1996. In these photographs we have my mother, two sisters and our puppy Bonnie.

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Found Archive: Fuji HG 100

A collection of photographs from the Found Archive project I have working on.

This roll of film was shot in 1992 by Michael Chippington. It is from a family holiday. One of my favourite photographs from this collection is my sister and I bouncing on a trampoline – i would liken the style of photograph to the work of Martin Parr and his seasides in the 80s

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Found Archive: Fuji HG 200

The Found Archive was created by using the images taken by my father Michael Chippington during the 1980s to early 2000s. In his younger years he was a keen photographer and has a good eye. Michael typically captured events in our family lives, our outings, our friends, gatherings and so on.

The negatives had been stored in a fireproof box for years and some showed signs of wear. During the archival process I scanned the negatives but also transferred them to an archival folder and negative sleeves.

It has taken me one year to scan his negatives – around 2500 images. The photographs were scanned using a Plustek OpticFilm 8100 at 6×4 300ppi. I am presenting the images with dust, scratches and all imperfections. There has been a removal of colour casts from scanning and also white balance adjustment. However – during this colour correction stage I have used the photograph prints or the same film from online to ensure I have not introduced colours that are a misrepresentation of the film properties.

This particular roll of film is from 1991 and features my sister and I with family members at Christmas.

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Fuji Natura 1600

This is the first time I have shot colour film rated at 1600 and I am blown away by the fine grain at a high ISO.

Canon EOS 620, F/2.8. Kew Gardens, London.

Canon EOS 620, F/4. Kew Gardens, London.

Canon EOS 620, F/16. Kew Gardens, London.


I have yet to receive my thermometer which goes to 38ºc and beyond (for standard develop and rapid develop) so I am doing a slower develop. I have read online there can be colour shift and the yellows/cyans not as strong however (as of yet) I have not experienced any problems.

Warm bath 30º for 5m
Develop 30ºc +-0.5ºc for 8m
Bleach 30ºc +-1.0ºc for 6m
Rinse 30ºc – 40ºc for 6m
Stab 20ºc – 40ºc for 1m
Hang to dry with Patterson neg clips for 2 hours (use squeegee lightly to remove excess water, be careful of tram lines)

During scanning there was a colour cast leaning towards red. This was adjusted in post along with cleaning, curves and saturation.

I have noticed there is more cleaning in Photoshop required on my developed colour film than the black and white. I think this is because of the final process and the water used. In black and white after fixing there is a 10 minute wash, after that I use a wetting agent with deionised water. The wetting agent reduces grime on the negative and deionised water will ensure there aren’t any mineral marks left behind once dried.

On my first C-41 mix of chemicals I followed the instructions word for word and used water from the tap. However next time I will use deionised water for the final stage (STAB) so that there is a low chance of mineral residue on left on the negative once dried.

Canon EOS 620, F/2.8. Colchester.

See the full gallery below.

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Fuji Provia 100F


Over the past month i have been to New York, Notting Hill Carnival, working, getting ready for my final year of University, weddings, parties and all sorts of things!

A member of The Camera Club which i am holding an exhibition at in January prompted me to shoot a roll of Provia 100F next as it was one of his favourite colour films. So i did just that! To my surprise the negatives are positives which upon opening my parcel from the lab i use to process colour film i had a moment of nostalgia of KodaChrome slides.

Notting Hill Carnival was the beginning of my Provia journey, the sun was beating down on London creating a gorgeous deep blue sky and it was hot. I hadn’t realised how big the carnival was as i had never been before, setting off around mid day i covered a massive area eventually walking through to Paddington Station.

Unfortunately the carnival was not what i expected, it was interesting to see various crowds of people and performances however it seems bare and instead of stalls of things to see and do it just contained a lot of food stalls and huge crowds of drunk people. I was wondering where the colour was, where the entertainment was! There were the odd crowds of people dressed in flamboyant outfits with feathers and displays however it got a bit tiresome after seeing one area like this and moving onto the next with exactly the same costumes.

I decided to leave the rest of the film for my trip to New York City, albeit panicking they may x-ray my luggage. There was no fogging on the film so *phew*

New York City is amazing, it is by far the best holiday i’ve had to date, my friend and i did everything you can think of. Helicopter rides, Brooklyn, Uptown, Downtown, Midtown, Greenwich VIllage, Chelsea, Hells Kitchen, Central Park. You name it we did it, we also managed to get into some private rooftop parties for celebrities, check out the local bars, clubs and restaurants and also make some new friends along the way.

Due to this being my first time in NYC i think i went a bit touristy with the photos initially. The film i shot after this in my opinion is better, however it’s black and white and typically i favour the tones, contrasts and nuances of black and white over colour.

The film itself is covered in dust, wether this is an error in processing or a bad cover of emulsion i am unsure but considerable cleaning was required during retouching. Also scanning positives on my scanner seemed a little strange, the colours of the positive when looking directly at the film look saturated and sharp however my scanner seems to have lost some of that saturation, i tinkered with various settings for a considerable amount of time however didn’t come up with anything satisfactory until i imported the files into photoshop for a general retouch and clean up, there was also a green colourcast over the photos which had to be removed.

I have also found that the photographs are a stop or so lower than i originally anticipated when shooting. I haven’t had this sort of problem before so i’m concerned feel that the chemicals during processing where a little strong and the develop has carried on too far. If this continues i will have to change the company i use to develop my colour film.

The Provia has handled well in America and although my shots are somewhat touristy for this roll it demonstrates some of the qualities on Provia 100F. It has a beautiful fine grain and deep blues. The original positives look fantastic. If i was printing from an enlarger i’m sure the results would be stunning. I will shoot with Provia again but use a different Lab to develop the film to get a satisfactory result.

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Fuji Neopan 400 Pushed to 1600

This post is a continuation of my previous post, for a full review and information on the creation of the film(s) and the people involved please visit Ilford HP5+ 400 Pushed to 3200

This was the first film that i shot pushed however i decided to upload it after the HP5+ for various reasons. I began shooting this film along the embankment and around Tower Bridge (inside the bridge) my Mother come to London to visit me for a couple of days and wanted to do the touristy attractions, being a Londoner i take the sites and sounds for granted as i see them every day, unsurprisingly i haven’t done much of the tourist experiences here because i do other things like work and wondering around with my camera.

When i arrived at the gym this film was almost finished, i was unsure whether 1600 would be fast enough so wanted to keep a few frames just to see how Neopan coped being pushed in the lighting available.

Shooting with my 24-70 at f/2.8 was interesting to say the least, poor lighting made it difficult to get the desired speed i wanted however i didn’t want to lower the f/stop too much because keeping some details in the background was important for this type of photography. I brought my 50mm f/1.4 incase i really was struggling for light although i wouldn’t have ventured any lower than f/2 in these circumstances.

In the end because the 1600 push wasn’t coping with the limited light i pushed a roll of HP5+ 3 stops which gave me much more freedom with shutter speed and aperture.

This roll of Neopan has degraded quite a bit, i am unsure whether the push/developing has affected the emulsion or if the process of coating the film has failed in some way as there is considerable dust/scratches and chunks out of the photographs which had to be repaired quite painstakingly in some areas (retouching with grain is always fun).

Interestingly Neopan developed similar grain properties as the HP5+ at a lower push, the contrasts are appealing however not as consistent as the HP5+ however saying this the quality of the photograph is not compromised and finishes with a classic grainy style.

I am going to enquire what developers the company i use practice with as i would like to see the results of microphen and xtol being used in development. “Do it yourself” i hear you cry once more at me, the simple answer is i would if i had the time, i do miss developing my own film however it’s much easier and faster for me if i can send it off to a developers as i work a lot. Although the next stage for the development of this project will be developing my own work at times to create my own form of photography, however i make up for some this in editing after scanning.

You’ll notice that there is only a small collection of photos in this post, this is due to me doubling up a little with the photos, plus there was some i just didn’t want to include in the final publish. Doubling up is a habit i need to get out of when shooting with film, I have used digital for such a long time it is sometimes second nature to click the shutter more than once.

I would be interested to see Neopan pushed a few more stops as i feel that it would create some fantastic punchy results.

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Fuji Superia X-TRA 400

Following on from my previous post Kodak T-MAX 400 I decided to use the Fuji Superia X-TRA 400 whilst at the May Day March as some of the banners etc were fairly colourful, it was also to see how i got along with colour for a change.

Slower ISO than the Portra yet it handled well with the speed that i demanded on the day, interestingly the Portra 800 grain qualities far exceed that of the Superia (in my opinion). The tonal range and colours on the Superia are satisfactory but not fantastic, from this shoot i have realised that the consumer grade film is a good choice for point and shoot photography however didn’t really cut it on the final outcome for quality.

When i shoot with digital i obviously pay attention to colour, especially with the street style work i do or when i cover London Fashion Week however i noticed shooting the Superia that i was specifically looking for colour so as not to waste  frames!

A couple of days after the March i finished the rest of this film off wondering around China Town, Soho and Covent Garden. I used the Sigma 50mm f/1.4 and 24-70 f/2.8L Mk II for this film. It has been great using the zoom lens, especially when photographing wider shots in tighter spaces. I’d be interested to see how this film copes being pushed as the higher contrasts from pushing may give some interesting results in saturation.

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