Tag Archives: colour

Found Archive: Fuji Super G 200

The photographs in this collection are from the first day we bought a puppy in 1996. In these photographs we have my mother, two sisters and our puppy Bonnie.

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Found Archive: Konica Centuria 200

This collection of photographs is from the year 2000. It is the house I lived in with my parents from age 10 to when I moved out at 22. The images show the property during renovation.

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Found Archive: Fuji HG 100

A collection of photographs from the Found Archive project I have working on.

This roll of film was shot in 1992 by Michael Chippington. It is from a family holiday. One of my favourite photographs from this collection is my sister and I bouncing on a trampoline – i would liken the style of photograph to the work of Martin Parr and his seasides in the 80s

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Found Archive: Fuji HG 200

The Found Archive was created by using the images taken by my father Michael Chippington during the 1980s to early 2000s. In his younger years he was a keen photographer and has a good eye. Michael typically captured events in our family lives, our outings, our friends, gatherings and so on.

The negatives had been stored in a fireproof box for years and some showed signs of wear. During the archival process I scanned the negatives but also transferred them to an archival folder and negative sleeves.

It has taken me one year to scan his negatives – around 2500 images. The photographs were scanned using a Plustek OpticFilm 8100 at 6×4 300ppi. I am presenting the images with dust, scratches and all imperfections. There has been a removal of colour casts from scanning and also white balance adjustment. However – during this colour correction stage I have used the photograph prints or the same film from online to ensure I have not introduced colours that are a misrepresentation of the film properties.

This particular roll of film is from 1991 and features my sister and I with family members at Christmas.

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Agfa Vista APX Plus 200

After the success of last years London Pride, I decided this year I would walk the streets in the Parade/March. Of course bringing my camera along as it’s also around the ‘anniversary’ of me starting this blog.

For most of the march I stayed alongside some of the members of my boxing club that also walked this year. Braving the rain throughout the day we started at Baker Street and finished at Whitehall.

It looks like my negative scanner is on the fritz as it’s starting to develop some lines across the images (upon closer inspection) and colour casts, nothing overly drastic, but a little frustrating and adds processing time to the photographs. Quite possibly this may also be a result of the developer used, so is something I must look into.

The Agfa Vista has quite a lot of grain for a lower iso film. Out of the box delivers average results from an average class film. Personally I don’t rate it very highly, there are other colour films out there that give much more interesting results.

That being said I haven’t pushed or pulled this film yet so I can only pass comment on the selection of images that i’ve produced and not for the entire production line of Agfa Vista.

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ADOX Color Implosion 100ISO

The 35mm Project has been lacking some colour lately! Finally after quite a bit of waiting (an error on my part) the gorgeous Adox Color Implosion shot out of the box at 100ISO during the sunnier (and warmer) spell of weather the UK had, about two weeks ago arrived today. Filling me with so much excitement and glee I could of squealed. This film has shot right up to one of my favourite films for its unique take on reality, strong grain and texture.

Color Implosion is an astonishingly high grain film at a low ISO. Resulting in some extreme saturation in parts of the images (reds) that give a punchier and crisper image. Throughout the image there is a mixture of various tones and nuances that can be seen when at a higher magnification, there is a strong presence of red across the entire film.

200%

200 Percent Magnification

The grain is not intrusive and I believe gives this film a true individuality and separation from other colour films. Where the grain most works is on the wild life photographs taken at The Wetlands Park in London. However not totally disregarding the other photographs which have their own texture from the grain.

Having gone through a standard C-41 process the trickiest part was scanning the negative into my computer. Silverfast does not have a colour profile for Adox, and I have the cheaper (box version software) that came with my scanner so I am unable to make my own profiles. Instead I used the Fuji Pro 160s profile as I felt this gave a good CCR (Colour Cast Removal) and profiled the photographs well enough for post work.

White balance set from white point. Assuming that this film should have a white balance to white. I should note there was an exceptionally strong colour cast over the photographs when scanning. As I haven’t seen what these images ‘should’ look like after being printed from an enlarger onto light sensitive paper it was difficult to tell exactly how much to remove (and whether a cast of some sort is inherant of this film type) Google searching didn’t help so I decided I didn’t feel anything was gained in the images by allowing strong colour casts, as a result I have developed my own style of images with this film.

 

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Fuji Provia 100F

Greetings!

Over the past month i have been to New York, Notting Hill Carnival, working, getting ready for my final year of University, weddings, parties and all sorts of things!

A member of The Camera Club which i am holding an exhibition at in January prompted me to shoot a roll of Provia 100F next as it was one of his favourite colour films. So i did just that! To my surprise the negatives are positives which upon opening my parcel from the lab i use to process colour film i had a moment of nostalgia of KodaChrome slides.

Notting Hill Carnival was the beginning of my Provia journey, the sun was beating down on London creating a gorgeous deep blue sky and it was hot. I hadn’t realised how big the carnival was as i had never been before, setting off around mid day i covered a massive area eventually walking through to Paddington Station.

Unfortunately the carnival was not what i expected, it was interesting to see various crowds of people and performances however it seems bare and instead of stalls of things to see and do it just contained a lot of food stalls and huge crowds of drunk people. I was wondering where the colour was, where the entertainment was! There were the odd crowds of people dressed in flamboyant outfits with feathers and displays however it got a bit tiresome after seeing one area like this and moving onto the next with exactly the same costumes.

I decided to leave the rest of the film for my trip to New York City, albeit panicking they may x-ray my luggage. There was no fogging on the film so *phew*

New York City is amazing, it is by far the best holiday i’ve had to date, my friend and i did everything you can think of. Helicopter rides, Brooklyn, Uptown, Downtown, Midtown, Greenwich VIllage, Chelsea, Hells Kitchen, Central Park. You name it we did it, we also managed to get into some private rooftop parties for celebrities, check out the local bars, clubs and restaurants and also make some new friends along the way.

Due to this being my first time in NYC i think i went a bit touristy with the photos initially. The film i shot after this in my opinion is better, however it’s black and white and typically i favour the tones, contrasts and nuances of black and white over colour.

The film itself is covered in dust, wether this is an error in processing or a bad cover of emulsion i am unsure but considerable cleaning was required during retouching. Also scanning positives on my scanner seemed a little strange, the colours of the positive when looking directly at the film look saturated and sharp however my scanner seems to have lost some of that saturation, i tinkered with various settings for a considerable amount of time however didn’t come up with anything satisfactory until i imported the files into photoshop for a general retouch and clean up, there was also a green colourcast over the photos which had to be removed.

I have also found that the photographs are a stop or so lower than i originally anticipated when shooting. I haven’t had this sort of problem before so i’m concerned feel that the chemicals during processing where a little strong and the develop has carried on too far. If this continues i will have to change the company i use to develop my colour film.

The Provia has handled well in America and although my shots are somewhat touristy for this roll it demonstrates some of the qualities on Provia 100F. It has a beautiful fine grain and deep blues. The original positives look fantastic. If i was printing from an enlarger i’m sure the results would be stunning. I will shoot with Provia again but use a different Lab to develop the film to get a satisfactory result.

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Kodak Portra 800 Pushed to 1600

This is the final roll of a series of four types of film shot over London Pride 2013, please take a moment to look back at the other type’s previously posted: Kodak BW400CN, AgfaPhoto APX 100 & Kodak Ektar 100

By the time i had loaded the Portra into my camera it was getting well into the evening and as the sun was going down the alcohol content in my body was going up so its no surprise that even though i remember shooting this film there are a couple of shots that i looked at when scanning and thought “I don’t remember shooting that” and felt excited to see them appear on the screen.

I decided to push the Portra at the very last second and i’m glad i did! Albeit only a 1 stop push from the original 800iso i didn’t want to go too crazy as i hadn’t seen Portra pushed before so felt it best to take it 1 stop at a time. I’m glad i did.

I like Portra, i think its a great film to shoot with, it has some great neutral tones to work with and the slightly desaturated results seem to work well in evening light adding to the authenticity of being shot in the evening. The push in my opinion has improved this film considerably.

The results from this push are a high grain that is very appealing to the eye, especially of the young woman outside Wok to Walk with a folk in her mouth. The push has given a similar look to some old 70’s colour film which had a tendency to look more grainy (depending on film type). I had to remove quite a bit of green colour cast from the photos during cleaning – i have mixed opinions as to why this happened. It could be an error in processing where they’re using too much of a colour which will leave more green in the photo or it could be an error in scanning and the CCR (colour correction removal) process.

Also dust and scratches was a little extreme with this roll of film. Typically i have noticed that colour films require a lot more work than black and white, especially Kodak compared to Agfa or Ilford.

Due to the high grain and desaturated images the landscapes that i shot of the wind turbines and power lines aren’t really suited to this film type.

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Kodak Ektar 100

Every year in London on the 29th June the streets are filled with a giant party atmosphere celebrating gay right movements and various sexualities coming together to express themselves in one of the city’s more colourful events. Pride.

This is the first time i have been to pride since 2011 as i had got bored of it, for years London pride had been neglected and was usually pouring with rain for at least a few hours, however this year it seems to have been given a complete overhaul, whether people dug deeper in their pockets or maybe it was just organised better but this years pride was, fantastic! One of the best ones i have been to in years.

It was great to see the streets filled with people enjoying themselves, the weather was perfect, not a cloud in the sky. Music was playing on every street corner from Trafalgar Square to Oxford Circus. The city was alive.

I was already a few frames in to the Ektar 100 loaded in my camera, the previous day’s weather had been terrible and i only managed to get a few frames off around Covent Garden. I was determined to get some shots over pride, i wanted to use this colour film to my full advantage. I brought 3 spare rolls of film with me and went on my merry way into central to meet some friends at one of my favourite bar’s in Soho, Ku Bar.

For this event i wanted my equipment to be as light as possible, i opted for my Sigma 50mm f/1.4 prime for the shallow aperture and it being much lighter than my 24-70. I stuck around f/2 – f/5.6 rarely going any higher.

Annoyingly retouching has taken longer with this film, there were considerable dust and scratches and also water stains on the film which i am not impressed about, the film processing seems to have not been very thorough this time and has left me with a few frames that required more work on them which could of been avoided.

The colours of this film are so saturated and fairly contrasty, Ektar was once likened by my tutor at University for sharing similar properties to Kodachrome however i feel Kodachrome had a warmer more contrasty feel to the final photographs which Ektar misses.

The grain is very desirable and fine not impeding on the quality of the photograph, i would like to see the results of Ektar pulled to 64 and then adding some contrast in photoshop how much it may resemble Kodachrome. Although as i previously stated it is not going to be identical. Dare i say it but i prefer the result of Ektar 100 over Portra 800, even though Portra is a gorgeous film type it lacks the punchiness and saturation of Ektar.

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Fuji Superia X-TRA 400

Following on from my previous post Kodak T-MAX 400 I decided to use the Fuji Superia X-TRA 400 whilst at the May Day March as some of the banners etc were fairly colourful, it was also to see how i got along with colour for a change.

Slower ISO than the Portra yet it handled well with the speed that i demanded on the day, interestingly the Portra 800 grain qualities far exceed that of the Superia (in my opinion). The tonal range and colours on the Superia are satisfactory but not fantastic, from this shoot i have realised that the consumer grade film is a good choice for point and shoot photography however didn’t really cut it on the final outcome for quality.

When i shoot with digital i obviously pay attention to colour, especially with the street style work i do or when i cover London Fashion Week however i noticed shooting the Superia that i was specifically looking for colour so as not to waste  frames!

A couple of days after the March i finished the rest of this film off wondering around China Town, Soho and Covent Garden. I used the Sigma 50mm f/1.4 and 24-70 f/2.8L Mk II for this film. It has been great using the zoom lens, especially when photographing wider shots in tighter spaces. I’d be interested to see how this film copes being pushed as the higher contrasts from pushing may give some interesting results in saturation.

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